Monday 24 November 2008

The Doomwood Curse


Back in the olden days, when Doctor Who was off the air, and Russell T Davies made TV shows that seemed to set out to annoy the people that weren't watching them, it carried on, as books and later as audio recordings. The books seemed to work very hard at becoming incomprehensible as fast as they possibly could, but some of the recordings were rather good. Made by Big Finish, they feature 'real' TV Doctors, often with 'real' TV companions supporting them.
At their best the Big Finish audio stories can be very good indeed. The one in which the Tardis arrives on the doomed world of Mondas just as desperate measures become essential remains the greatest Cyberman story yet told in any medium. At their worst the writers start to become obsessed with companions having only a single story hook, which has to be brought out every time. There was one girl slotted into the space between two Peter Davison stories who could be relied on to have a fight with the Doctor every adventure, and wonder if she should leave the Tardis and settle down where ever they happened to be this time. And in the end she did of course.
The revelations though have been that Colin Baker would have made a pretty damn good Doctor given decent scripts, and even more surprisingly, that Bonnie Langford could have made a good companion. Really.
As well as better special effects, the audio adventures do allow a modicum of time travel adventures rather more easily than can TV. For some years India Fisher played Charlie Pollard been a companion to Paul McGann. Eventually the relationship became a bit tired and McGann went off to do a different style of story, leaving Charlie to a happy ending. Except a few stories later Charlie pops up as a companion to Colin Baker, knowing rather more about the Tardis and the Doctor than he really expects, not letting on half of what she knows for fear that it might alter the Doctor's history and prevent her Doctor from ever coming to be. It makes a different and really rather jolly dynamic.

This story's pretty much a romp. There's a bit of pretext for a highwayman melodrama, but it doesn't really matter. Bodices are ripped, horses are chased, lost siblings are discovered through matching birthmarks. All very silly and a welcome sign that Big Finish aren't taking themselves too seriously.

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